Sunday, September 16, 2012

The Majority's Response to Classical Music

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   Maybe it was my early exposure to a film, Fantasia, or my Mother's love of various genres of music that gave me an opportunity to watch many broadway and off broadway productions involving classical music.  Maybe it was the fact that I had done ballet for 6 years, and had been exposed to many modern compositions.  But whatever the reasoning, since I was young, I had loved classical music.

   For me, classical music had always spoken in ways that dreams alone could speak to me.  The music, itself, gave the power of imagination, where no lyrics could possibly take me.  It is fair to say that some lyrics such as in "Ave Maria" from Schubert and "Hallelujah chorus" from Handel's Messiah, had an enriching religious factor that seems to give resounding power to the music, or perhaps it was the music giving power to the words.  Whatever your take, I have always been a fan of instrumental pieces over clouded lyrics that never seem to do a piece of music much justice.  But as I have mentioned, there are lyrics, for which I would make an exception to my remark.

    YouTube is a website that connects the world with seemingly infinite amounts of videos on an expanding variety of subjects.  One in particular is classical music.  I believe that YouTube is a great platform for people to quickly become exposed to classical music, whether it be eastern Karnatic or Hindustani, to Western European.  And there are many more classical pieces from around the world, which I have not been as exposed to, but are equally as valuable historically.  The point being, that the internet has become a platform in which we can all gain exposure to a dying love of classical music by the majority.  We have only to use a search engine to guide us to this enchanting realm of Classical music.

    But what if we had never heard of some of the great powerhouse composers?  What if we had never gained much of an interest for the subject, and the music did not hold much meaning for us?  We all have our own musical preferences, and certainly it has never been my expectation to force anyone to enjoy classical music!  Rather, it is my goal to expose people to the beauty of classical music, and have you make your own decisions of whether this is something you can or cannot appreciate.  I feel sad knowing that less and less people know about the beauty of these pieces, many of which have inspired the minds of composers and musicians today.

   Does classical music hold the framework and foundation of music today?  I believe it does.  However, with the advancing of technology, it is also possible that more people would rather listen to the synthesizing works of house music over Johannes Brahms' "Violin Concerto in D major, Op. 77 - I. Allegro ma non troppo."  And that would be perfectly fine as well.  I, myself, enjoy the possibility of jamming to some house music with friends, so I share your sentiments.  But my point is there is an entire world of music being neglected, and there are not as many people who are trying to preserve this beauty.  It has become an unsaid duty, of mine, to become a person who preserves this culture, though I may not be as knowledgeable as a PhD on the subject.  I have only an undergraduate degree in music that has exposed me deeper into this realm, and I am very thankful for that degree.

   Many warm regards,
   Cheers, your Music Imaginations blogger,
Preeti

Wolfgang Amadeus Mozart's "Rondo Alla Turca"

 http://anorakheaven.blogspot.com/2012/07/relax-its-mozart_30.html#.UFVdyo1lQpA
               How can one forget to mention the incredible mind of Mozart?  To say he was a talented performer and composer would be greatly undermining his commitment to music and his tireless years of devotion to his passion.  "Rondo Alla Turca" is one of my favorite pieces.  It is also called the "Turkish Rondo," and Wikipedia mentions how the music portrays Janissary Bands, that had imitated music quite famous at that time.  I listened to a wide range of Janissary Band music, music of the Ottoman Turkish people.  It is interesting how this completely European piece is invoking such a different sound that is played with different musical instruments all together.  It is as if you would try to play an electric guitar for a piece that you would normally expect a sitar to play.  While it may even sound amazing, it is not what you expect.  However, I will still say that Mozart is Mozart.  So his interpretation of Turkish Janissary Bands actually convey its' essence.  I listened to a majority of Janissary band music that was simply slower that sounded more like a vast majority of Ottoman Turkish people marching across lands.  While Mozart's "Rondo Alla Turca" was a quick paced piece that seemed, to me, to convey the celebration and glory of an expanding Ottoman Empire.

    I would hate to degrade an original piece of music with a remixed counterpart, but Adya Classic's version of "Rondo Alla Turca" fixes in some Turkish hues, especially with its' choice of instruments, compared to a very European sounding original piece from Mozart.  For its' time, originality, and character, Mozart's "Rondo Alla Turca" has stood the test of time.  This piece is certainly one of my favorites.

                                                                References
Wikipedia.  Piano Sonata No. 11 (Mozart). (2012, September 16). Retrieved from
             http://en.wikipedia.org/wiki/Piano_Sonata_No._11_(Mozart)